Friday 29 April 2011
solekan dalam pelbagai rupa .. tengok lah, :)
hanya yang ini dapat disiapkan, hampir semalaman tidak lena dipejam mata ini semata - mata inginkan kemajuan dalam dunia solekan .. hehe
Monday 25 April 2011
haha, sebelum mula make up, kita lihat ini dulu ! jum layan ..
ini lah barang - barang dalam asas solekan yang harus kita lakukan sebelum memulakan solekan wajah. jangan tengok lama - lama nanti serabut kepala saja .. hehe
bentuk wajah segi empat
MUKA SEGI EMPAT
Raut muka
Garis rambut di dahi dan rahang berbentuk lurus.
Panduan solekan
Sapukan pembayang di pipi dan penerang warna di dagu utk menjadikan muka kelihatan panjang dan pipi kelihatan kurang lebar.
Raut muka
Garis rambut di dahi dan rahang berbentuk lurus.
Panduan solekan
Sapukan pembayang di pipi dan penerang warna di dagu utk menjadikan muka kelihatan panjang dan pipi kelihatan kurang lebar.
bentuk wajah bulat
MUKA BULAT
Raut muka
Garis rambut serta dagu berbentuk bulat
Panduan solekan
Sapukan pembayang d pipi dan penerang warna di dagu untuk menjadi muka kelihatan panjang dan pipi kelihatan kurang lebar.
Raut muka
Garis rambut serta dagu berbentuk bulat
Panduan solekan
Sapukan pembayang d pipi dan penerang warna di dagu untuk menjadi muka kelihatan panjang dan pipi kelihatan kurang lebar.
bentuk wajah panjang
MUKA PANJANG
Raut muka
Muka berbentuk panjang dan pipi cengkung
Panduan solekan
Gunakan penerang warna d pipi dan pembayang di dahi serta dagu supaya muka kelihatan agak pendek dan lebar.
Raut muka
Muka berbentuk panjang dan pipi cengkung
Panduan solekan
Gunakan penerang warna d pipi dan pembayang di dahi serta dagu supaya muka kelihatan agak pendek dan lebar.
bentuk wajah bujur
MUKA BUJUR
Raut muka
Bentuk bujur dianggap sbgai bentuk sempurna.bentuk ini menjadi asas panduan utk solekan bagi bentuk2 muka yg lain..
Panduan bersolek
Sapukan pemerah pipi dlm bentuk segitiga.Ratakan hingga hampir ke tulang pelipis.
Kekalkan dalam bentuk semulajadi.Apabila memakai gincu,kekalkan lekuk di tengah pada bibir atas.
Bibir bawah ditebalkan sedikit daripada bibir atas.
Raut muka
Bentuk bujur dianggap sbgai bentuk sempurna.bentuk ini menjadi asas panduan utk solekan bagi bentuk2 muka yg lain..
Panduan bersolek
Sapukan pemerah pipi dlm bentuk segitiga.Ratakan hingga hampir ke tulang pelipis.
Kekalkan dalam bentuk semulajadi.Apabila memakai gincu,kekalkan lekuk di tengah pada bibir atas.
Bibir bawah ditebalkan sedikit daripada bibir atas.
wajah - wajah orang miskin
hehe .. lawak pulak bila tgk muka budak2 coz kena ubahkan setiap wajah mereka menjadi orang miskin .. aku mcm muka ni pun boleh laku lagi ke ?.. hehe ..
hah, ini lah yang dikatakan segalanya nota! layan jom!
Tuesday, February 15, 2011
asas dalam teknik solekan
Nak bersolek?Boleh saja,tapi jangan le bersolek samapi jadi cam opera cina.Dari muka lawa-lawa terus orang jadi takut plak nak tengok muka tu.Bagi ai,ai suka bersolek tapi biar nampak natural..takde nampak bedak 10inci tebal..lipstik terang menyala..Tapi bab-ba ni ikut selera masing-masingkan..mungkin ai je suka camni,tapi korang tak suka kan..Tepuk dada tanya selera.
Tips asas solekan natural yang sempurna
1. Bedak asas mestilah disapu sedikit demi sedikit. Cara yang terbaik adalah dengan sapuan secara lapisan demi lapisan.
2. Selepas menyapu bedak asas, balas sapuan tadi dengan bedak debu.
3. Sapuan penggaris mata yang tidak memenuhi seluruh kelopak mata tampak lebih natural.
4. Oleskan bulu mata bawah dengan hujung berus maskara.
5. Cara terbaik menentukan warna pemerah pipi yang sesuai, cuba lihat warna pipi selepas penat bersenam.
6. Sapuan gincu pada bahagian hujung bibir perlulah lebih tebal kerana bahagian ini lebih
mudah hilang warnanya.
1. Bedak asas mestilah disapu sedikit demi sedikit. Cara yang terbaik adalah dengan sapuan secara lapisan demi lapisan.
2. Selepas menyapu bedak asas, balas sapuan tadi dengan bedak debu.
3. Sapuan penggaris mata yang tidak memenuhi seluruh kelopak mata tampak lebih natural.
4. Oleskan bulu mata bawah dengan hujung berus maskara.
5. Cara terbaik menentukan warna pemerah pipi yang sesuai, cuba lihat warna pipi selepas penat bersenam.
6. Sapuan gincu pada bahagian hujung bibir perlulah lebih tebal kerana bahagian ini lebih
mudah hilang warnanya.
solekan mata
untuk kening
Perfectly Shaped Eyebrows: The shape of the eyebrow is correct when the beginning of the brow is aligned with the center of the nostril and the arch falls over the back third of the eye.
Eyes far apart
To bring eyes closer together, dark eyeshadow will be applied to the inside corner of the eyes and drawn out towards the nose. An eyeliner could be extended beyond the inside corner of the eye and the eyebrows brought together with the use of a pencil.
Eyes close together
To make these eyes further apart, light eyeshadow will be used in the inside corner of the eye with the makeup on the mobile part of the eyelid and the eyeliner drawn towards the outside. The eyebrows will be plucked so as to make them further apart and also extended towards the outside with an eye pencil
Drooping eyes
A dark shadow will soften the upper part of the arch of the eyebrows; the eye will be underlined with an eye-liner drawn towards the lower inside corner of the eye and upwards to the outside corner. The eyebrows will be rectified, on the one hand by plucking them, and on the other hand by redrawing them with a pencil, so as to give them an upwards movement towards the outside.
Round and prominent eyes
In order to reduce the volume of the eye, a dark shadow will be applied to the eyelid and drawn towards the outside. A dark pencil will be used on the inside of the eye so as to reduce the opening and the use of an eyeliner is recommended at the root of the upper lashes. The eyebrows should be relatively abundant.
Deep set eyes
A light shadow will be applied to the mobile part of the eyelid, so as to give it greater volume, while the arch of the eyebrows is, on the other hand, reduced using dark eyeshadow. A very thin eye-liner will be used on the upper eyelid but the lower lid may be emphasised with a line of pencil or a shadow. The eyebrows will always be very thin
Asian eyes
These eyes are characterised by having no – or very little – visible areas of eyelid and the bridge of the nose is generally not very pronounced. A dark shadow can give greater relief to the nose and shadows on the eyelids will be softened towards the top or possibly towards the outside to accentuate the almond shape. If the mobile part of the eyelid disappears into the palpebral fold, no eye-liner should be used, since it will be transferred onto the
Perfectly Shaped Eyebrows: The shape of the eyebrow is correct when the beginning of the brow is aligned with the center of the nostril and the arch falls over the back third of the eye.
Eyes far apart
To bring eyes closer together, dark eyeshadow will be applied to the inside corner of the eyes and drawn out towards the nose. An eyeliner could be extended beyond the inside corner of the eye and the eyebrows brought together with the use of a pencil.
Eyes close together
To make these eyes further apart, light eyeshadow will be used in the inside corner of the eye with the makeup on the mobile part of the eyelid and the eyeliner drawn towards the outside. The eyebrows will be plucked so as to make them further apart and also extended towards the outside with an eye pencil
Drooping eyes
A dark shadow will soften the upper part of the arch of the eyebrows; the eye will be underlined with an eye-liner drawn towards the lower inside corner of the eye and upwards to the outside corner. The eyebrows will be rectified, on the one hand by plucking them, and on the other hand by redrawing them with a pencil, so as to give them an upwards movement towards the outside.
Round and prominent eyes
In order to reduce the volume of the eye, a dark shadow will be applied to the eyelid and drawn towards the outside. A dark pencil will be used on the inside of the eye so as to reduce the opening and the use of an eyeliner is recommended at the root of the upper lashes. The eyebrows should be relatively abundant.
Deep set eyes
A light shadow will be applied to the mobile part of the eyelid, so as to give it greater volume, while the arch of the eyebrows is, on the other hand, reduced using dark eyeshadow. A very thin eye-liner will be used on the upper eyelid but the lower lid may be emphasised with a line of pencil or a shadow. The eyebrows will always be very thin
Asian eyes
These eyes are characterised by having no – or very little – visible areas of eyelid and the bridge of the nose is generally not very pronounced. A dark shadow can give greater relief to the nose and shadows on the eyelids will be softened towards the top or possibly towards the outside to accentuate the almond shape. If the mobile part of the eyelid disappears into the palpebral fold, no eye-liner should be used, since it will be transferred onto the
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